The Don B. Huntley Gallery

Positively Fourth Street - An Encounter with the Fourth Street Viaduct

Positively Fourth Street - An Encounter with the Fourth Street Viaduct

Jan 27, 2018 to Apr 12, 2018

Location: Huntley University Art Gallery

Press the tab key to view the content. Use the down arrow key to move to the next tab and up arrow key to move to the previous.

Positively 4th Street banner

Positively 4th Street

An Encounter with Los Angeles Fourth Street Viaduct through Drawing, Painting, and Text

Caught between Los Angeles’ past and future, the Fourth Street Viaduct of 1931 is an enduring artifact in an area of enormous flux. Bridging the Los Angeles River, it spans railroad tracks and industry, almost half a mile in length. Its grandiose Gothic Revival architecture contrasts with the unadorned flood-control channel beneath it. As Angelenos debate river revitalization and the gentrification of Boyle Heights and the Arts District, the viaduct is a stoic artifact. Yet, at the same time, it leaps and vaults.

We are two visual artists and a writer-artist whose interpretations are based on a shared instinct for poetic realism. Recognizing what the viaduct meant to the civic leaders who built it, we accept the pathos of that past but seek reconciliation with what is now ours. The viaduct revealed its iconic symbols and meanings as we explored. The light stanchions, for example, still have insulators for wires that powered streetcars, some of which were “coffin trolleys” delivering mourners and the dead to Evergreen Cemetery.

Our first impression was of industrial infrastructure – trains, trucks, power lines, planes making turns to LAX -- but most importantly, the concrete channel of the river. We observed the contrasts of sun and shadow, the flow of water against hard cement and soft black tar around the tracks. Over time we noticed that this apparently hostile environment is home to people, micro-organisms, and determined flora.

The viaduct entered into our imaginations and changed us. We began our exploration wrestling with sensory elements such as glaring reflections, heat, noise, odors, and congestion. We were ready to struggle with the place as artists, but our affection grew with repeated visits. The viaduct spoke to us, softened us.

We do not offer theory here. We are not preaching. Our hope is that you encounter these drawings, paintings and words as we encountered the viaduct: ready to learn, with reverence for place.

 

 

 Painting: A traveler comes to a bridgeMay 26, 2018

"Positively Fourth Street" | D.J. Waldie Essay Published in BOOM California

A traveler comes to a bridge. As the traveler starts to cross, one foot is still earthbound. Empty space is beneath the other. The next step requires trust. The traveler is uplifted less by concrete or masonry and more by forces kept in balance with the void waiting below. 


Photo of Reception at Francis Dean Show

Saturday, Oct 6, 2018 - 3:00 p.m. to 6:00 p.m.

Opening Reception: Positively 4th Street

"Positively 4th Street: An Encounter with Los Angeles 4th Street Viaduct" features the drawings, paintings, and text of Roderick SmithRichard Willson, and DJ Waldie at the Don B. Huntley Gallery.

 


 

 

The Artists
Photo of Roderick Smith

Roderick Smith is a painter based in Los Angeles. His creative process is a type of performance art – energy is found in the determination of every mark, every painted stroke. Smith received a BFA from the Rochester Institute of Technology and studied painting and design at the Art Students League in New York and the Instituto Allende in Mexico.

 

 

Photo of DJ Waldie

DJ Waldie is a renowned American essayist, memoirist, translator, and editor. Best known for Holy Land: A Suburban Memoir, Waldie is a keen observer of the history, politics, and culture of Southern California. He is a columnist for “Lost L.A.” on KCET as well as a contributing editor for the Los Angeles Times.

 

 

Photo of Richard Willson

Richard Willson, Canadian-born, is an urban planning professor, painter, and poet. Painting is his assertion that “observation is environmentalism.” He teaches in the Department of Urban and Regional Planning at the College of Environmental Design at Cal Poly Pomona. Willson holds a Ph.D. in Urban Planning from UCLA and studied at Otis College of Art and Design.

Gallery Views

Installation View, Front of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.Installation View, Front of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.

 

Installation View, Front of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.Installation View, Front of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.

 

Installation View, Front of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.Installation View, Front of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.

 

Installation View, Back of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.Installation View, Back of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.

 

Installation View, Back of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.Installation View, Back of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.

Installation View, Back of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.Installation View, Back of Gallery, Positively Fourth Street - An Encounter with the Fourth Street Viaduct Exhibition, 2018.

Opening Reception Video with Artists' Talk