“Visual Genres and the Rhetoric of Violence in Cervantes’ Persiles,” in a monograph onCervantes’ Persiles, ed. Marina Brownlee, University of Toronto Press (Forthcoming, 2018).
“The Rise of the Spanish Vernacular and the Castilian Literary Canon: From Papal Bulls to Celestina to Vernacular Translations,” inParadigm Shifts During the Global Middle Ages and Renaissance, Arizona Studies in the Middle Ages and the Renaissance series, ed. Albrecht Classen, Brepols Publishers (Forthcoming, 2018).
“Humanism and Spanish Literary Patronage at the Roman Curia: the Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523),”Special Issue 'Princes of the Church: Renaissance Cardinals and Kings', Royal Studies Journal4. 2 (2017): 11-37.
“Introduction to the Forum Wars of Knowledge: Iberian Imperial Hegemony and the Assembling of Libraries,”Pacific Coast Philology15. 2 (2017): 166-172.
“La Lozana Andaluza: migración y pluralismo religioso en el Mediterráneo,”Special Issue 'Nuevas aproximaciones al canon español de la temprana edad moderna', Revista Canadiense de Estudios Hispánicos41.1 (2016): 215-242.
“Don Quijoteante sus traductores: un siglo de traducciones y adaptaciones dramáticas en Inglaterra (1612-1703),”Cervantes ayer y hoy, eds. Nuria Morgado y Lía Schwartz (New York: Hispanic Seminar of Medieval Studies, 2016) 53-74.
“La arquitectura del secreto entre Italia y España en los siglos XV-XVI,” ed. Wolfram Aichinger,Memoria y Civilización, Anuario de Historia19 (2016): 51-73.
“Gestures as a Transnational Language through Woodcuts: Celestina's Title Pages,” in a cluster onCelestina's Visual Culture, Celestinesca39 (2015): 79-112.
“Converso Migration and Social Stratification: Textual representations of the marrano from Iberia to Rome (1480-1550),” inExile and the Formation of Religious Identities in the Early Modern World, coord. Gary Waite and Jesse Spohnholz (London: Pickering and Chatto, 2014) 141-155 & 237-240 (notes).
“El Arte nuevo de Lope de Vega a la luz de la teoría dramática italiana contemporánea: Poliziano, Robortello, Guarini y el Abad de Rute,” in Lope de Vega y la renovación literaria, e-Humanista: Journal ofIberian Studies24 (2013): 1-15.
“Un códice misceláneo: la Comedia de Calisto y Melibea, Sevilla 1501, Rès Yg. 63, BNF,”Bulletin of Spanish Studies86.4 (June 2009): 435-458.