Theatre and New Dance

Office Hour

a workshop production

Written by Julia Cho
Directed by Lisa Sanaye Dring

Gina was warned that one of her students would be a problem. Eighteen years old and strikingly odd, Dennis writes violently obscene work clearly intended to unsettle those around him. Determined to know whether he’s a real threat, Gina compels Dennis to attend her office hours. But as the clock ticks down, Gina realizes that “good” versus “bad” is nothing more than a convenient illusion, and that the isolated young student in her office has learned one thing above all else: For the powerless, the ability to terrify others is powerful indeed.

Content Warning: This performance includes simulated gun violence, violent language, suicidal ideation and the sound of gunshots. Please exercise mindfulness in deciding whether or not watching this play is appropriate for you. 

December 5-7, 2023

Tuesday - Thursday at 7:30pm

Studio Theatre
Check in at Building 25 Box Office

$5 General Admission

Tickets On Sale Now

PLEASE NOTE: "Office Hour" contains scenes of violence which some may find uncomfortable, upsetting, or disturbing.  Cal Poly Pomona Department of Theatre and  New Dance has a room available for audience members who would like to remove themselves at any time during the performance.  Mental health services are available through the Los Angeles County Department of Mental Health Access Help Line at (800) 854-7771 or by calling or texting the National Suicide Crisis Lifeline at 9-8-8.

…vital, honest, and valuable…OFFICE HOUR is interested not only in the question of gun violence, but in the painful, isolating struggle faced by the children of immigrant parents in this country.” —New York Magazine.

 

“…[an] urgent and sensitive drama…tense and extremely well thought out…What is so gripping about the play…is the ever-present fear of horrific violence that permeates the space, even as sympathy grows for Dennis…Cho effectively calls for compassion and outreach from a society that commonly creates violent loners out of troubled children.” —BroadwayWorld.